About the Site

Welcome to SciFi Mojo, a science fiction news and review site that also takes a fan fiction style look at a handful of classic science fiction television shows from yesteryear, and wonders what they might look like if were they rebooted for a modern audience.

Not every fan fiction page is dedicated to series that have been off the air for a while.  We also take a look at two beloved science fiction properties, Star Trek and Star Wars, and have a bit of a play with them as well.

Fans will be fans!

As mentioned above, SciFi Mojo also features science fiction news and reviews on its home page, focused primarily on science fiction on the small screen.  The site also reports on space exploration, and our efforts to return to the moon and visit Mars.

I probably should say a thing or two about the word “reboot.”

It’s a pretty contentious one, isn’t it?

But, as the Hitchhikers Guide to the Galaxy recommends:

Hitchhikers Guide to the Galaxy

It’s true that there has been a bit of a history of touch-and-go reboots on both the big and small screen.

There were even some that started of brilliantly, only to be ‘retooled’ part way through, ultimately destroying what the fans loved about the new show.

Take the rebooted V series.  It had an engaging first half of its first season, and a strong second half, but then, in it’s second season, went down hill because it decided it needed to over-explain everything (show, don’t tell, people), and needed more action, often at the expense of the story.  Not even the return of the amazing Jane Badler could save the show from that.

SciFi Mojo is about remembering some of the shows that are now long gone, that didn’t always get the treatment they deserved.

Haven’t you, as a fan, ever wondered if those shows could be continued?  Or, if an older show like Buck Rogers in the 25th Century or seaQuest DSV could be updated and remade for today’s viewing audience?

That’s the point of the majority of this site.  SciFi Mojo doesn’t focus on every single science fiction show that ended before it’s time, but instead chooses four that could really be something special today – and were definitely not given the chance to be the best they could have been when they first aired.

Those four?

  • Space: 1999 (dumbed down in its second season and retooled into cancellation).
  • Buck Rogers in the 25th Century (stuck in a sexist disco time warp, and retooled to death in its second season);
  • seaQuest DSV (retooled, and retooled some more – to death), and;
  • Gene Roddenberry’s Andromeda (dumbed down and homogenised out the wazoo).

I know that word, reboot, and those other two, remake and re-imagining, scare the crap out of all of us, but it’s not as bad as it sounds, I promise.  I come down on the side of staying as faithful to the original as is sensible.

Interestingly, since first putting up this about page, I’ve had a bunch of messages from people asking “but what about Firefly?”  and “what about V?”  “What about Babylon 5?”

Firefly is probably a bit contentious right now, because Joss Whedon has had some nasty allegations thrown his way in recent times.

So… pass!

Firefly Promotional Image - Full Cast

V?  It’s one of my all time favourite shows, but Kenneth Johnson is working on getting a new V up again and there is no one better.

It’s a show I would love to write for, because it’s message is, sadly, consistently relevant.

For more information on Kenneth Johnson’s work to return V to the small screen, or to get a movie done (both options are under consideration), visit his site here.

V The Original - Image beautifully crafted by VTMSP and Blast Damage Designs

Babylon 5?  JMS is one of my heroes, and Babylon 5 is almost sacred to me.  I’d love to play in that world, but it’s situation is complex.  JMS owns the movie rights, Warner Bros. owns the TV rights and they don’t want to sell them.  Even worse, they’re not interested in doing anything with the show, which is insane.

There is, apparently, a B5 reboot movie in the pipeline, but I can’t find any absolute confirmation of that.  J. Michael Straczynski has been reported as saying no to a revival or remake as either a series or a movie, but he has also been reported as saying yes to the possibility of a movie… so we’ll just have to wait and see.

Remake vs Reboot vs Re-imagining.
What’s the deal?

What’s the difference between a remake, a re-imagining and a reboot?

I honestly don’t know.  There was a time I thought that I did, but that has long passed.

J. J. Abrams’ 2009 Star Trek has been described as a reboot, which, according to Wikipedia, is:

In serial fiction, a reboot is a new start to an established fictional universe, work, or series that discards all continuity to re-create its characters, plotlines and backstory from the beginning.  It has been described as a way to “rebrand” or “restart an entertainment universe that has already been established.”  Another definition of a reboot is a remake which is part of an established film series or other media franchise.  The term has been criticised for being a vague and ‘confusing’ ‘buzzword’, and a neologism for remake, a concept which has been losing popularity in the 2010s.

Star Trek 2009 Poster

Ron Moore and David Eick’s Battlestar Galactica has been described as both a remake and a re-imagining of the Glen A. Larson original.

A re-imagining, according to Wikipedia, is a reboot.

So what’s a remake?

Wikipedia says its a:

A remake is a film, television series, video game or some other form of entertainment that is based on an earlier product, often telling the same story and updating it for contemporary audiences.

BATTLESTAR GALACTICA -- Pictured: (l-r) Edward James Olmos as William Adama, Tricia Helfer as Number Six, James Callis as Gaius Baltar, Tahmoh Penikett as Karl

See why I’ve given up trying to differentiate?

To maintain our sanity, let’s not worry about which is what.  Let’s use the word reboot and if I accidentally write remake or re-imagining somewhere on the site, don’t worry about it.  Life is too short for semantics.

Why reboot anything?

Some stories deserve and even need to be told over and over again, so every generation can be inspired by them.  Star Trek‘s hopeful vision of the future is something we need. Babylon 5‘s message of cooperation and it’s warning about power and corruption is important.  V‘s examination of human frailty and how some will side with totalitarian regimes in the face of adversity while others will rise against them, is compelling.

I know reboots are contentious, but I don’t think they need to be.  Anyone who engages in the idea of a reboot/remake/re-imagining will make choices that are controversial, but also, it is hoped, that are relevant to their time.

In 2003 when the Battlestar Galactica mini-series hit our airwaves, Starbuck became female.  A move that caused an insane uproar, but one that was timely and shattered stereotypes.

In 2009, J. J. Abrams did what many thought was impossible.  He captured the spirit of the original Star Trek in a blockbuster movie that was a reboot of the 1966 series.  Very few thought it would work, but fans and casual viewers alike loved it.  Granted, he upset a lot of us (fans) by blowing up Vulcan, killing Spock’s mother, Amanda, and inventing one of the silliest science fiction devices ever (transwarp beaming), but because the reboot was cleverly done (alternate timelines) many of us were able to forgive him and embrace the film.  He didn’t try and rewrite Star Trek history, he simply added to it using a time-honoured device.  Brilliant.

NuTrek Cast and JJ Abrams

Moore and Eick’s BSG, in particular, warmed up my creative juices and inspired me.  Suddenly, there was hope for shows I’d loved in my childhood (and adulthood) that had seemed destined to fade out of pop culture over time.

Thanks to the hard work and risk-taking of Moore, Eick and also Abrams, old but strong ideas could be given new life and be successful.

So, like many fans before me, I created a couple of websites to house my contributions, but instead of using those sites for fan films, slash fiction, poetry, amazing art, or short stories, all of which I love (okay, I’m not big on slash fiction at all – it’s just not for me), I decided to use my experience as a journalist to report on science fiction TV news and developments in space exploration, and my time as a writer/producer to imagine a new start for two universes in particular that I loved and that, at the time (end of 2014 and beginning of 2015), didn’t look like they were returning to TV any time soon.

Star Trek Sentinel Website Banner.jpg

There had been a previously announced Space: 1999 reboot called Space: 2099, but it was, it seemed, no more (if you check that proposed reboot’s Wikipedia page, they say it’s still going ahead).

I developed an idea for Star Trek that, to me, made sense, called Star Trek: Sentinel.  I decided to set it in the TNG timeline after Star Trek: Voyager and after the destruction of Romulus as seen in Star Trek (2009).  I thought long and hard about a villain, and chose an old, once off species from the TNG era that would make life incredibly difficult (and even terrifying) for everyone in the Federation.  At the same time as that was happening, I decided that Starfleet and the Federation Council needed to deal with a growing Romulan refugee crisis.  Drama, conflict, action.  All the good stuff.

Then, Star Trek: Discovery was announced about six or so months later.  I was over the moon!

I had wanted Star Trek: Sentinel to be another quality entry in fan-produced content, and to hopefully bring a little additional attention to the fact the time was right for new Trek on TV.  I’m 99.9% certain my site had nothing to do with CBS bringing Star Trek back, but that didn’t matter to me.  I was so happy.  I decided to continue with Star Trek: Sentinel because I was passionate about the idea, and because I wanted to challenge myself by trying to write a Star Trek script – which are apparently notoriously difficult to write!  And they are!!

Because new Star Trek was on its way, I decided to split my creative energy between that story and an idea I’d been playing with for years for Space: 1999.  A reboot that was faithful to the original, but changed the premise slightly to deal with the fact we still have a moon and it’s well past the year 1999!

Both sites proved popular – and unexpectedly so.

Then, one night, four and a half years after creating Star Trek: Sentinel and Space 2059, I was kicking back in my backyard staring up at the stars, when I found myself wondering about other shows that could be rebooted, besides Space: 1999… and SciFi Mojo was born.  I merged both fan sites together and started adding to them, and here we are.

It’s really important I point out that none of this is authorised.  Everything on SciFi Mojo is a work of love, written by one fan, and I don’t make any money off the site.  In fact, I pay money to make sure the site isn’t monetised in any way.

I really hope you enjoy what’s on offer.

Please feel free to get in touch via the comments section or Twitter @scifiregen.

About the Author

SciFi Mojo is owned and written by Jay, an Australian Science Fiction fan.

Jay is a professional writer, having written as a freelance journalist for a number of newspapers, magazines and online science fiction websites – as well as eating out guides and general entertainment websites.  He’s also a professional actor and producer, having worked in film, television and on stage.

Jay has been a science fiction fan since childhood, and grew up on the original Battlestar Galactica, Space: 1999, Buck Rogers in the 25th Century, V, Star Trek: The Next Generation, and seaQuest DSV.

Jay also has a day job, because he has to pay his bills and pay for this site, but that day job is no where near as exciting as sailing away on a rogue moon, boldy going on the USS Sentinel, voyaging through the ocean on the seaQuest, or battling Draconians with Buck.

For more information on the site, check out the FAQ page.

Thanks for joining me on this voyage of fandom, and I hope you enjoy watching the fictional series’ bibles and scripts come to life as much as I enjoy writing them.


  1. Hey guys!

    I’m the head of Endlight Entertainment, and we have a really cool new Docu-Comedy about Trek called TREKOFF! We have a super cool, but also very formal press release we’d love to send you but don’t wanna post some spammy thing here in the thread. Where’s best to send this so you can check it out (and hopefully give it some love on your site!) ?


      1. Huge thanks for promoting the film! Do you have any other social channels we can boost to our fanbase? Facebook? Twitter? Etc.?

        Welcome aboard and feel free to reach out any time! Hailing frequencies open!

        And if this movie does well enough you may just get your wish for a sequel!


      2. Hey! Thanks for that, no need for promotion – but I really appreciate the offer!!! Just keep churning out podcasts (and another doco). You guys are just what Trek fandom needs!


    1. Hi Bobby, from what we know to date, the new series won’t be taking unsolicited scripts (scripts that don’t come through an agent) right now. That might change once the series finds it’s legs after season one. If you’re still keen to contact CBS, their address is:
      CBS News
      555 West 57th Street
      New York, NY 10019
      Just be aware that most networks will shred any unsolicited scripts they are sent without reading them, to avoid someone accusing them of stealing their ideas.
      It’s not the answer you were looking for, but if you’re serious about writing for television, the best thing to do is develop up an original idea, get some crowdfunding support behind you, and use it to attract an agent.
      If CBS opens Star Trek up for unsolicited scripts, I’ll report on it on by blog.
      Another way to get into the industry is through existing fan films. You can always pitch an idea to New Voyages, Continues or another fan production.
      If you go the route of developing up your own idea or submitting to a fan production – I sincerely wish you the best of luck!


    1. I will do – thanks for the suggestion! I starting watching Horizon this morning on the long train trip to work… and I was dumbfounded. I can’t believe what Tommy and his team have achieved. I’ll be watching the rest this evening on the way home and will definitely review it. :o)


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